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Julian Fleury (Diana Wynward) that she needn't fear marrying and having a child with young British aristocrat Euan Templeton (Stephen Boyd), son of the island's governor Lord Templeton, because of her questionable ancestry. Fleury revealed to Jocelyn that Julian Fleury (Basil Sydney) wasn't her real father - Jocelyn was racially pure, due to a sexual indiscretion on Mrs. My husband isn't your father." They eventually married.Grace Metalious' torrid, potboiling soap opera in her sensational novel was adapted and sanitized for the screen's film release. Love and sex-starved from Brick, she admired her father-in-law's lechery, believing that he found her sexually attractive: "I think it's mighty fine the way that ole fellow on the doorstep of death still takes in my shape with what I consider deserved appreciation."It was later revealed that Brick was mostly suffering from the suicidal death of his friend Skipper whom he loved - while Maggie had opposed Skipper ("I hated Skipper, because you loved him so much! [In the play, Maggie had allegedly seduced Skipper, an instance of heterosexual infidelity - to keep their relationship at bay - an important plot element missing in the film.His twisted love for her was a combination of sibling affection, repressed incestual domination, possessive jealousy, and selfish need. Because I don't like that troubled look on your face."In a relationship that also hinted at a homosexual connection, Hunsecker had bargained with success-seeking, hustling, slick, unethical and smarmy, PR press agent Sidney Falco (Tony Curtis) to ruin their romance. To end the strong affection between Skipper and Brick [and to test her suspicions about an unnatural (homosexual) relationship between them], Maggie thought she could lead Skipper to sleep with her to arouse her husband's anger at his best friend [and to prove that her suspicions were untrue - that Skipper was indeed heterosexual.] Brick admitted that he felt responsibility for Skipper's despairing death because he had rejected his friend and ruthlessly hung up on his anguished call from the hotel room.
Distraught by the latest news, Susan blamed Sidney and J. as being responsible for the assault and false arrest of her boyfriend. Because of strict censorship Production Codes in the late 1950s at the height of Hollywood's concern about film content, it was completely bowdlerized. In the film's denouement, to help win Big Daddy's favor and inheritance for Brick (and because of her genuine concern for Big Daddy and Brick), Maggie shocked the assembled gathering around the dying Big Daddy by announcing her surprise birthday present for him.
There was another inter-racial romance between two others, with only the slight touching of hands and an aborted kiss (reflecting a double standard regarding the black male), who were unable to show any physical affection: Boyeur never touched Mavis in the final version of the film.
The film's steamiest moment was when they drank from the same coconut.
It was set in a New England town and was considered extremely scandalous at its time -- with its interwoven stories of adultery, incestuous rape, repression, illegitimacy and abortion (or miscarriage), frigidity, suicide, skinny-dipping, mother-daughter conflict, and murder. What is, uh, the victory of a cat on a hot tin roof? Now, the story had been modified to suggest that Skipper had seduced Maggie.] After Maggie suggested that she cheated on Brick with his now-deceased best friend, Brick had since refused to sleep with her.
Lana Turner starred as neurotic, prudish, over-protective single mom Constance Mac Kenzie to sexually-curious teenaged daughter Allison Mac Kenzie (Diane Varsi). Infuriated by reminders of the truth [a homosexual relationship or "friendship" was heavily disguised in the film], Brick wished for her to not bring up the forbidden subject.
In New Orleans, the American Legion launched an unsuccessful campaign to halt its screening.